Vocal fighting and flirting: the functions of birdsong 2004 Nature’s Music. The Science of Birdsong.
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Vocalisation.
A neuronal morphologic type unique to humans and great apes, A profile of prosodic speech differences in individuals with autism spectrum disorder and first-degree relatives, a word in edgeways, absolute pitch, acoustic analysis, aggressive mimicry, ahem, anxiety, autism, braggard, cadence, calculus, CDS, child-directed speech, Chimpanzees modify recruitment screams as a function of audience composition, convergent evolution, cough, crying, diffidence, disinhibition, dissemble, dissimulate, dyspopulophony, echolocation, emotion, emotionality, emphasis, enunciation, excitement, exclamation, fatherese, frequency, halting, Heschl’s gyrus, high-pass filter, hollow laughter, hollow voice, human parasite, imperative mood, inadvertent social information, inflection, inflexion, inner ear, interjection, interrogative mood, interruption, laughter, loudmouth, more to this than meets the ear, motherese, network, networking, octave, oval window, pace, Parallel Thalamocortical Pathways for Echolocation and Passive Sound Localisation in a Gleaning Bat Antrozous pallidus, parentese, pause, phonolocation, pitch, planum temporale, power, pregnant pause, pressure of talk, prosody, quaver, Revealing the structure of information flows discriminates similar animal social behaviours, sarcasm, Seneca, solfege scale, sounding out, spindle cells from Wikipedia, stapedius, stapes, The activity of the stapedius muscle in man during vocalization, throw-away remark, timbre, transverse temporal gyrus, triadic awareness, Two different motor systems are needed to generate human speech, Vocal fighting and flirting: the functions of birdsong 2004 Nature’s Music. The Science of Birdsong., vocal spectral analysis, vocalisationThe intention to vocalise is followed by contraction of the stapedius muscles, which reduces vibrations of the stapes (stirrup) bones, and thus the transmission of sound waves through the oval windows to the inner ears. The pitch, pace, pause and power of vocalisations qualify verbalisations. Comparisons can be made within sentences and between sentences, when…
To be or not to be. 